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  • Installation

Open Court: A Pain We Know

Wendy Cowan and delia
Vacant shop, Todd Mall, Mparntwe, Central Australia, April, 2017

One evening in 2017, delia and I met two young Arrarnta men on the lawns outside the John Flynn Memorial church as the Supreme Court was under construction.

The encounter went something like this

Hello, hello, werte

Have you seen the space ship?

Nah, where?

Pointing to the Supreme Court oval glass structure – its lit-up presence hovering over the trees.

Oh yeah, I am going there one day

I hope the aliens are friendly

A blood red sky rises over the benches where the old men sit, where the young men spit. Inside they are delicate, nervous for this trial.  Look again. Young women peer from behind the walls of Adelaide House – checking out their own epic narratives.

The sky turns an azure blue. The myths in this desert town say the same thing – to belong is to listen to and care for lively narratives.

In the remote Australian town, Mparntwe-Alice Springs, a trial is about to be held as the Supreme Court is being built, a panopticon, an all seeing glass eye. On a grassy patch outside the adjacent church, Indigenous women gather to sell their artwork, tourists stroll, trees shimmer in 40 degree heat, crows caw, flies swarm, dogs raise their heckles. These activities do not prevent their listening, their participation, their chorused concern for the court proceedings that are about to unravel.

And so the story goes…remixed and retold…

Listen carefully to the stories of the Furies, to what happens when wise women are harassed, when they stop singing, when their movements brush up against the same-old nasty stories. We have countless derogative names that silence, the brazen, witches, bitches, ungrateful whores, rubbish women, hashtag hags. In Ireland, she is called the Cailleach. In Ancient Greece they were the Erinyes, the Furies, or Eumenides. All sisters to myself and delia. The consequence of not respecting, not listening to otherworldly women is disfunction and wreckage.